Nolan's New Triumph: The Odyssey Earns Near-Perfect Reviews from Critics
Christopher Nolan’s The Odyssey has now received a full wave of reviews from critics, and it currently stands as the highest-rated film of the director’s career. The movie holds a score of 88 on Metacritic and an impressive 98% rating on Rotten Tomatoes.
Scores:
- Arizona Republic — 100/100;
- The Playlist — 100/100;
- The Guardian — 100/100;
- Screen Rant — 100/100;
- Empire — 100/100;
- New York Post — 100/100;
- The Telegraph — 100/100;
- The Times — 100/100;
- TheWrap — 95/100;
- Polygon — 95/100;
- IndieWire — 91/100;
- The A.V. Club — 91/100;
- Looper — 90/100;
- Collider — 90/100;
- The Associated Press — 88/100;
- IGN — 80/100;
- Wall Street Journal — 80/100;
- The Hollywood Reporter — 70/100;
- Variety — 70/100;
- The New Yorker — 60/100;
- The Film Stage — 50/100;
- Film Threat — 40/100.
The result is a gigantic, shimmering mirage, a mysterious three-hour vision of crazy episodes that does not yield up wisdom or contentment, but only a grim resolution to continue with the fight, to make sense of ruined lives, to re-enter the scorched battlefield of loss.
If Oppenheimer was Nolan shedding the trappings of genre to reach new heights with a science-heavy biopic, then in The Odyssey, Nolan puts away his trusty tools to shape cinematic history with his bare hands.
While the future may be predetermined, this world is still the sum of what we choose to make of it. To surrender our role in that is to forfeit our humanity, and the opposite will always be true as well. The gods speak obtusely, even in Nolan’s script, but this magnificent epic leaves us with the ability to heed their meaning.
Nolan prides himself on being a storyteller, and here he pays tribute to the medium that made him a prolific figure in pop culture. He wouldn't be here without a story to tell, so it's only fitting that he has told a story that has endured throughout the eons as only he can. The fact that he executed it at this level is certainly a feat that others will tell their own stories about.
The Odyssey isn’t perfect, but it’s a pretty great moviegoing experience all the same.
There's nary a dull moment in the director's typically muscular, temporally complex interpretation, but despite a fine, bone-weary turn from Matt Damon as the wandering king of Ithaca, it's more sensually than emotionally felt.
Nolan, energized by the self-restraining power of modern morality, turns an epic poem prosaic.
In the end, I just wanted The Odyssey to feel like an epic, grand adventure, and, like the Lord of the Rings trilogy, I wanted this story to say something about humanity. Anything that felt inspiring or profound. Instead, we just got this grand adventure all for the sake of being a grand adventure. Sure… many will find that enough for a fun summer movie, but what we really want is a great movie. One we’ll remember for decades to come. We’ll be lucky to remember this film a month from now.
The Odyssey is Christopher Nolan’s new epic fantasy film based on Homer’s ancient Greek poem of the same name. Matt Damon stars as Odysseus, the king of Ithaca, who embarks on a long journey home after the Trojan War in an attempt to reunite with his wife Penelope, played by Anne Hathaway.
The story follows Odysseus as he travels through a world of Greek myths and legends, encountering the Cyclops Polyphemus, the Sirens, the nymph Calypso, and other mythical beings while facing countless trials on his way back to his family.
The ensemble cast also includes Tom Holland, Robert Pattinson, Zendaya, Lupita Nyong’o, Samantha Morton, and Charlize Theron. The film was produced by Nolan and his wife Emma Thomas through their production company, Syncopy.
Reportedly made on a budget of around $250 million, The Odyssey is one of the most expensive films of Nolan’s career. Its worldwide theatrical release begins on July 17.
Previously, we published our list of the 30 Most Anticipated Movies and TV Shows of 2026.
Are you looking forward to Christopher Nolan’s The Odyssey, or are you still skeptical about the film?
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