Dead Space

Third-person shooter with horror and survival elements Dead Space — a completely revamped version of Dead Space (2008), featuring a new engine, modern graphics, updated cutscenes, a number of adjustments to the plot, and all additional content.

Full of misadventures, violence, and dismemberment, Dead Space tells the story of survival in the cramped spaces of a ghost ship that sent a distress signal from deep space. The main character, Isaac Clarke, volunteered for the rescue team out of fear of losing his beloved, who remained on the ill-fated ship. The spacecraft, as if alive, resists any attempts to leave it. It is overrun by necromorphs — dynamically changing zombies that can only be defeated by shooting off their limbs. This is more difficult than it seems when only engineering equipment is available.

The near future. Humanity struggles to move into space, building space stations and colonizing planets in nearby systems. Expansion is hindered by a shortage of resources, which must be covered by colossal ships that grind planets to dust. One of them — the "Ishimura" — somewhere in deep space began to harvest the planet Aegis VII and stopped communicating. This triggered a chain of fatal events that can only be interrupted by the player.

The lore of "Dead Space" is well-developed, both in general and in detail, swelling with the volume of info from the depths of the past to the beginning of the game. In the first hours, one can learn about the local political system, major corporations, the cult of fanatic Unitologists and their influence on all spheres of life, how the world economy works, what technologies have been invented, and even the everyday problems of future people. All this helps to better immerse oneself in the atmosphere and events.

The setup of Dead Space creates intrigue and many questions, but the writers carefully provide answers and slowly immerse the player in the story, fully unfolding it in the last quarter of the gameplay. The story is linear but unconventional, with a couple of plot twists and unexpected betrayals, keeping the tension until the very end.

The presentation successfully conveys how Isaac Clarke, finding himself in a stressful situation as he descends into the depths of the "Ishimura," reaches a peak of nervous tension and experiences terrifying hallucinations, yet finds the strength to fight for his life and sanity.

In addition to the main quest, secondary storylines develop around Isaac: his relationship with his girlfriend, communication with allies, survival itself, the struggle against the ship and the antagonist. Additional characters in cutscenes will explain their motives on the "Ishimura" and show their character. Following the horror canon, much of this information can be gleaned from text, audio, and video recordings.

Dead Space changed the traditional rules of shooters. Isaac is far from a fighter; he is an aging engineer, so every action is difficult for him — movements are slow, he can only shoot when aiming, recoil hits his hands, and he strikes with all his weight. This characteristic of the protagonist creates tension in any encounter, especially when attacked by different enemies.

There are about a dozen types in the roster and two categories — regular and enhanced. The combat system is based on the mechanics of severing limbs from the body, aided by the heavily altered forms of people who have turned into necromorphs, and the arsenal consists of mining tools for working with rock.

Cutters, saws, impact tools, and pipe cutters deal damage not at a point but in planes, the angle of which the player determines themselves. Over time, a last-resort weapon appears — the military assault rifle. All "guns" can be upgraded to improve their basic characteristics. The alternative firing mode has expanded their applications.

Enemies are very resilient; knocking down health points or aiming for the head is just wasting ammunition. Even when losing "parts," they won't die immediately and will continue to attack for a while. More advanced ones regenerate severed parts due to necro-mutations and become even more dangerous.

Melee combat is rudimentary — hooks with hands can push back close enemies, and stomps can finish off crawling ones. They also allow players to knock useful items from enemies or boxes. A necromorph that gets too close can trigger a QTE, and failing it will show the protagonist's brutal fatality.

The hero's engineering suit is equipped with stasis and kinesis modules. The first slows down moving objects, from fans to necromorphs, while the second allows lifting certain items and throwing them at the same enemies.

Playing Dead Space is a linear progression forward with the smashing of the undead and clearing locations, searching for secrets and additional rooms with resources, solving engineering tasks and puzzles. Variety is introduced by levels without gravity, where you need to walk using magnetic boots, and levels in open space, where you have to conserve oxygen.

All collected resources go into a compact inventory and are used for various upgrades at the workbench, while credits can be spent on gear, medkits, and ammo in stores.

You will need to visit every compartment and repair many systems — fighting for survival, the team has brought the "Ishimura" to a critical state, the ship is ready to fall apart. The compartments of the futuristic spaceship look convincing, its structure is logically thought out and well interconnected, although the visuals suffer from a monotonous execution.

Suspense is built up through all channels of perception — manually crafted, dark and ominous decorations; nauseating enemies; a heap of scripted "jump scares" and QTEs for any reason; appropriate sound accompaniment for each moment. Hellish screams and wails of necromorphs behind bulkheads, sounds of bursting flesh, banging doors and grinding mechanisms, noises of the surrounding space, and more, instantly instill a sense of fear and constant danger.