Heavy Rain

An indescribable first experience in the genre of interactive cinema, coupled with an excellent plot (the mystery of the entire game - who is the maniac? - keeps you in suspense until the very end). And the heady choice of developments in the manner of “do it one way or another, but there are third/fourth options” makes you think about every step. Four main characters, a lot of riddles and tasks, 3-4 individual endings for each of the protagonists... Such games are played most correctly the first time, when you purely instinctively choose this or that action, do what you would do if you find yourself in a similar situation.

So who is the killer? You will be surprised...

A very touching game. The graphics here are not the best, but quite decent for games of that time, but the plot exceeds any expectations. After completing the entire game, you will be surprised to enjoy the not-so-expected ending.

The game is worth all the money To buy it. This game is like watching a movie or TV series, I went through it 3 times.

Heavy Rain is a cool interactive game with a very strong plot. The story about the serial killer Origami is really addictive, and your choices can completely change the ending. You play for several characters at once, and this makes everything even more interesting.

The atmosphere is gloomy, like in a good detective story, and you really worry about the characters. The controls, of course, are not the most convenient - in places a little crooked, especially in movement and QTE scenes. But you quickly get used to it, and overall it does not interfere with enjoying the game. I highly recommend it to those who like stories with choice and strong emotions.

A wonderful story from a man whose directorial approach deserves recognition. Undoubtedly, this is a "seven" film from the world of video games, but it has a rather annoying drawback.

Despite the fact that David Cage created very good characters with distinctive features, problems and characters, he sometimes messes up with their development and disclosure. For example, a reporter. A character with a really interesting problem that she encounters with one of the heroes. But why she continues to help him, trusts him and almost wants to fuck with him is not shown at all! And this character is a walking example of how Cage is trying to trade explanation and emotion for plot dynamics. Although not even that. He doesn't see what needs to be added to the scene. Here, as an example, we can cite th… Read full